| Jazz 
 Ray McKinley - Drums, Vocals
 Al Klink - Sax (Tenor)
 Alberto Mitchell - Trumpet
 Alec FILA - Trumpet
 Artt Mendelsohn - Clarinet, Sax (Alto)
 Bill Ainsworth - Sax (Alto)
 Bill Corti - Trombone
 Bill Hodges - Trumpet
 Bill Stegmeyer - Sax (Alto)
 Billy Butterfield - Trumpet
 Bob Holt - Piano
 Bobby Byrne - Trombone
 Bobby Lee Jones - Sax (Alto)
 Bobby Styles - Trumpet
 Bruce Squires - Trombone
 Bunny Bardach - Clarinet, Sax (Tenor)
 Charlie Frazier - Flute, Sax (Tenor)
 Chubby Kuster - Trumpet
 Chuck Genduso - Trumpet
 Chuck Grant - Sax (Tenor)
 Cliff Leeman - Drums
 Curly Broyles - Trumpet
 Cutty Cutshall - Trombone
 Danny Bank - Sax (Baritone)
 Dave Pitman - Trombone
 Deane Kincaide - Arranger, Sax (Baritone)
 Doc Goldberg - Double Bass
 Don Mattison - Trombone
 Eddie Sauter - Arranger
 Ernie Perry - Sax (Tenor)
 Freddie Slack - Piano
 Fud Livingston - Sax (Tenor)
 George Thow - Piano
 Harry Wuest - Sax (Alto)
 Harvey Nevins - Clarinet, Flute, Sax (Alto)
 Irv Dinkin - Trombone
 Jack Lesberg - Double Bass
 Jack Ryan - Double Bass
 Jack Steele - Trumpet
 Jim Harwood - Trombone
 Jimmy Dorsey - Clarinet, Sax (Alto)
 Jimmy Emert - Trombone
 Joe Cribari - Piano
 Joe Ferrante - Trumpet
 Joe Graves - Trumpet
 Joe Meyer - Trumpet
 Joe Sullivan - Piano
 Joe Wiedman - Trumpet
 Joe Yukl - Trombone
 Joey Huffman - Clarinet, Sax (Alto)
 John Barnes Chance - Double Bass
 John Michael Gray - Guitar
 John Van Eps - Sax (Tenor)
 Johnny Potoker - Piano
 Larry Forand - Trumpet
 Lee Castle - Trumpet
 Leonard Whitney - Arranger, Sax (Alto)
 Lou McGarity - Trombone
 Lou Stein - Piano
 Mark Ranshaw - Cover Art
 Mundell Lowe - Guitar
 Nick Travis - Trumpet
 Paul Kashishian - Drums
 Peanuts Hucko - Clarinet, Sax (Tenor)
 Pete Chico - Trumpet
 Pete Terry - Sax (Tenor)
 Peter Dempsey - Compilation, Liner Notes, Transfers
 Ray Beller - Clarinet, Sax (Alto)
 Ray Crick - Compilation
 Roc Hillman - Guitar
 Rollo Laylan - Drums
 Sam Butera - Sax (Tenor)
 Sam Sachelle - Sax (Baritone), Sax (Tenor)
 Simon Haram - Audio Restoration, Remastering
 Skeets Herfurt - Clarinet
 Slim Taft - Double Bass
 Steve Lipkins - Trumpet
 Tony Mottola - Guitar
 Toots Camarata - Trumpet
 Toots Mondello - Sax (Alto)
 Vern Friley - Trombone
 Walt Milford - Sax (Baritone)
 Ward Erwin - Double Bass
 Will Bradley - Trombone
 Will Bradley, Jr. - Trombone
 Yank Lawson - Trumpet
 
 
 
 Ray McKinley
 
 Active Decades: '30s, '40s, '50s and '60s
 Born: Jun 18, 1910 in Fort Worth, TX
 Died: May 07, 1995 in Largo, FL
 Genre: Jazz
 Styles: Swing
 
 A top drummer during the swing era and a likable and personable singer who always displayed good humor, Ray McKinley was most significant in the 1940s in several settings. He played at the start of his career in territory bands, with Smith Ballew and then the Dorsey Brothers Orchestra, staying with Jimmy after the battling Dorseys went their separate ways. In 1939, McKinley became the co-leader (in reality, if not in its name) of the new Will Bradley Orchestra. His vocals and the boogie-woogie piano playing of Freddie Slack made the band a hit with such numbers as "Beat Me Daddy, Eight to the Bar" and "Celery Stalks at Midnight." By 1942, trombonist Bradley had gotten sick of the repertoire (which also included "Rock-A-Bye the Boogie," "Scrub Me Mama With a Boogie Beat," "I Boogied When I Should Have Woogied," "Boogie Woogie Conga," "Bounce Me Brother With a Solid Four," "Booglie Wooglie Piggy," and "Fry Me Cookie With a Can of Lard") and the group broke up. McKinley led a short-lived big band and then went in the military, playing in Europe with Glenn Miller's Army Air Force Orchestra and a small group also including Peanuts Hucko and Mel Powell. After Miller's death, McKinley was one of the band's co-leaders. In 1946, he put together his own orchestra, which used some very modern arrangements by Eddie Sauter, was open to the influence of bop, and yet had a Dixieland flavor at times. Not too surprisingly, it failed to catch on (although a Savoy LP shows how strong the band could be). Ray McKinley led the Glenn Miller ghost band during 1956-1966 and freelanced with small groups and headed another Glenn Miller-type orchestra until drifting into semi-retirement.
 --- Scott Yanow, All Music Guide
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