Jazz
Ray McKinley - Drums, Vocals
Alastair Robertson - Liner Notes, Producer
Bill Ainsworth - Sax (Alto)
Bill Hodges - Trumpet
Bobby Lee Jones - Alto
Bunny Bardach - Sax (Tenor)
Chuck Genduso - Trumpet
Dave Pittman - Trombone
Deane Kincaide - Arranger, Bass, Sax (Baritone), Saxophone
Ernie Perry - Sax (Tenor)
Harvey Nevins - Clarinet (Alto)
Irv Dinkin - Trombone
Jim Harwood - Trombone
Joe Cribari - Arranger, Piano
Joe Ferrante - Trumpet
John Barnes Chance - Bass
Larry Forand - Trumpet
Nick Travis - Trumpet
Pete Terry - Sax (Tenor)
Ray Beller - Sax (Alto)
Vern Friley - Trombone
* Eddie Sauter - Arranger
* John R.T. Davies - Remastering, Transfers
Ray McKinley
Active Decades: '30s, '40s, '50s and '60s
Born: Jun 18, 1910 in Fort Worth, TX
Died: May 07, 1995 in Largo, FL
Genre: Jazz
Styles: Swing
A top drummer during the swing era and a likable and personable singer who always displayed good humor, Ray McKinley was most significant in the 1940s in several settings. He played at the start of his career in territory bands, with Smith Ballew and then the Dorsey Brothers Orchestra, staying with Jimmy after the battling Dorseys went their separate ways. In 1939, McKinley became the co-leader (in reality, if not in its name) of the new Will Bradley Orchestra. His vocals and the boogie-woogie piano playing of Freddie Slack made the band a hit with such numbers as "Beat Me Daddy, Eight to the Bar" and "Celery Stalks at Midnight." By 1942, trombonist Bradley had gotten sick of the repertoire (which also included "Rock-A-Bye the Boogie," "Scrub Me Mama With a Boogie Beat," "I Boogied When I Should Have Woogied," "Boogie Woogie Conga," "Bounce Me Brother With a Solid Four," "Booglie Wooglie Piggy," and "Fry Me Cookie With a Can of Lard") and the group broke up. McKinley led a short-lived big band and then went in the military, playing in Europe with Glenn Miller's Army Air Force Orchestra and a small group also including Peanuts Hucko and Mel Powell. After Miller's death, McKinley was one of the band's co-leaders. In 1946, he put together his own orchestra, which used some very modern arrangements by Eddie Sauter, was open to the influence of bop, and yet had a Dixieland flavor at times. Not too surprisingly, it failed to catch on (although a Savoy LP shows how strong the band could be). Ray McKinley led the Glenn Miller ghost band during 1956-1966 and freelanced with small groups and headed another Glenn Miller-type orchestra until drifting into semi-retirement.
--- Scott Yanow, All Music Guide |
