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The 1943 Trio |
Stuff Smith |
első megjelenés éve: 1996 |
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(1996)
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 CD |
4.100 Ft
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1. | Humoresque
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2. | Minuet in Swing
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3. | Minuet in Swing
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4. | Minuet in Swing
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5. | A Ghost of a Chance
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6. | A Ghost of a Chance
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7. | La Cinquantaine
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8. | Desert Sands
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9. | Bugle Call Rag
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10. | Bugle Call Rag
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11. | Melody in F
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12. | The Red Jumps
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13. | The Red Jumps :32
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14. | The Red Jumps
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15. | To a Wild Rose
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16. | She's Funny That Way
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Jazz
Stuff Smith - Violin Jimmy Jones - Piano John Levy - Bass
* Charles B. Nadell - Photography * Frank Driggs - Liner Notes * George H. Buck, Jr. - Liner Notes, Producer * Jack Towers - Remastering * Milt Gabler - Producer * Parker Dinkins - Digital Mastering * Wendell Echols - Production Coordination * William Gottlieb - Cover Photo
Violinist Stuff Smith is heard in top form on this set of radio transcriptions from 1943, a time when a musicians strike kept Smith and others off records. Joined by pianist Jimmy Jones (who has plenty of solo space) and bassist John Levy, Smith performs ten songs and, in addition to the accepted versions, there are four alternate takes and three brief incomplete versions. Highlights include "Humoresque," three versions of "Minuet in Swing" and a pair of hot renditions of "Bugle Call Rag." Throughout Stuff Smith is heard in prime form, showing how hard a violin can be swung. --- Scott Yanow, All Music Guide
Stuff Smith
Active Decades: '20s, '30s, '40s, '50s and '60s Born: Aug 14, 1909 in Portsmouth, OH Died: Sep 25, 1967 in Munich, Germany Genre: Jazz Styles: Continental Jazz, Gypsy, Jive, Mainstream Jazz, Standards, Swing
Stuff Smith was one of the big three of pre-bop violinists along with Joe Venuti and Stephane Grappelli. Many of his fans said that he could outswing all of his competitors, and certainly Stuff was a major force on the bandstand. Smith, who cited Louis Armstrong as his main influence, studied music with his father and played with the family band as a child. His first major job and recordings were with Alphonse Trent's territory band in the 1920s, but it was not until 1936 that he had his breakthrough. Leading a quintet at the Onyx Club with trumpeter Jonah Jones, Smith's comedy vocals and hard-swinging approach made the group a hit on 52nd Street for several years; his novelty "I'se a Muggin'" became a hit. Smith worked regularly with his trios in the 1940s, but was in danger of being forgotten in the '50s when Norman Granz recorded him fairly extensively for Verve; Stuff also participated in Nat King Cole's After Midnight sessions for Capitol. The violinist moved to Copenhagen in 1965 and was active until his death two years later. ---Scott Yanow, All Music Guide |
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