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Kérjen
árajánlatot! |
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| 1. | Baia
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| 2. | Wee Hour Theme
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| 3. | My Shining Hour
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| 4. | Troubles of the World
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| 5. | Yesterdays
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| 6. | Dearly Beloved
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| 7. | Nothing Ever Changes My Love for You
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Jazz
Originally recorded: June 8, 1961, Van Gelder Recording Studio, Englewood Cliffs, New Jersey
Remastered: 2008, Rudy Van Gelder
Stanley Turrentine - Sax (Tenor)
Roy Brooks - Drums
Shirley Scott - Organ
* Alfred Lion - Producer
* Amanda Wray - Reissue Design
* Bob Blumenthal - Liner Notes
* Francis Wolff - Cover Photo, Photography
* Gordon Jee - Creative Director
* Ira Gitler - Original Liner Notes
* Michael Cuscuna - Reissue Producer
* Reid Miles - Cover Design
* Rudy Van Gelder - Remastering
A trio recording from Blue Note has Turrentine with Shirley Scott on Hammond organ and Roy Brooks on drums. This is the first recording with Turrentine and Scott, who would work together for ten years, and later marry. [An RVC edition was released in 2008.]
---Michael Erlewine, All Music Guide
Stanley Turrentine
Active Decades: '60s, '70s, '80s and '90s
Born: Apr 05, 1934 in Pittsburgh, PA
Died: Sep 12, 2000 in New York, NY
Genre: Jazz
Styles: Fusion, Hard Bop, Soul-Jazz
A legend of the tenor saxophone, Stanley Turrentine was renowned for his distinctively thick, rippling tone, an earthy grounding in the blues, and his ability to work a groove with soul and imagination. Turrentine recorded in a wide variety of settings, but was best-known for his Blue Note soul-jazz jams of the '60s, and also underwent a popular fusion makeover in the early '70s. Born in Pittsburgh on April 5, 1934, Turrentine began his career playing with various blues and R&B bands, with a strong influence from Illinois Jacquet. He played in Lowell Fulson's band with Ray Charles from 1950-1951, and in 1953, he replaced John Coltrane in Earl Bostic's early R&Bjazz band. After a mid-'50s stint in the military, Turrentine joined Max Roach's band and subsequently met organist Shirley Scott, whom he married in 1960 and would record with frequently.
Upon moving to Philadelphia, Turrentine struck up a chemistry with another organist, Jimmy Smith, appearing on Smith's 1960 classics Back at the Chicken Shack and Midnight Special, among others. Also in 1960, Turrentine began recording as a leader for Blue Note, concentrating chiefly on small-group soul-jazz on classics like That's Where It's At, but also working with the Three Sounds (on 1961's Blue Hour) and experimenting with larger ensemble settings in the mid-'60s. As the '70s dawned, Turrentine and Scott divorced and Turrentine became a popular linchpin of Creed Taylor's new, fusion-oriented CTI label; he recorded five albums, highlighted by Sugar, Salt Song, and Don't Mess With Mister T. While those commercially accessible efforts were artistically rewarding as well, critical opinion wasn't as kind to his late-'70s work for Fantasy; still, Turrentine continued to record prolifically, and returned to his trademark soul-jazz in the '80s and '90s. Turrentine passed away on September 12, 2000, following a massive stroke.
---Steve Huey, All Music Guide |
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