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| The Famous 1938 Carnegie Hall Jazz Concert [AKA Live at Carnegie Hall] (2CD) [ ÉLŐ ] |
| Benny Goodman |
| első megjelenés éve: 2002 |
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2 x CD |
| 6.393 Ft
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| 1. CD tartalma: |
| 1. | Benny Goodman Introduction
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| 2. | Don't Be That Way
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| 3. | Sometimes I'm Happy
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| 4. | One O'Clock Jump
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| 5. | Applause/Transition to Twenty Years of Jazz
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| 6. | Sensation Rag
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| 7. | I'm Coming Virginia
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| 8. | When My Baby Smiles at Me
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| 9. | Shine
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| 10. | Blue Reverie
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| 11. | Applause/Transition Back to Goodman Orchestra
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| 12. | Life Goes to a Party
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| 13. | Setting up for Jam Session
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| 14. | Honeysuckle Rose
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| 15. | Applause/Setting-Up/Tuning-Up for BG Small Groups
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| 16. | Body and Soul
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| 17. | Applause as Lionel Hampton Enters
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| 18. | Avalon
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| 19. | The Man I Love
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| 20. | I Got Rhythm
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| 21. | [Pause Track]
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| 2. CD tartalma: |
| 1. | Blue Skies
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| 2. | Loch Lomond
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| 3. | Applause/Benny Goodman's "No Encore" Announcement
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| 4. | The Blue Room
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| 5. | Swingtime in the Rockies
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| 6. | Applause/Martha Tilton Returns to Stage
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| 7. | Bei Mir Bist du Schön
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| 8. | Applause/Setting-Up for BG Small Groups
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| 9. | China Boy
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| 10. | Stompin' at the Savoy
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| 11. | Applause/BG Quartet Continues But Changes Program
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| 12. | Dizzy Spells
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| 13. | Applause/Transition Back to Goodman Orchestra for Finale
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| 14. | Sing, Sing, Sing
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| 15. | Applause Until Encores
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| 16. | If Dreams Come True
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| 17. | Applause for Second Encore
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| 18. | Big John's Special
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| 19. | [Untitled Track]
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| 20. | [Untitled Track]
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| 21. | [Untitled Track]
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| 22. | [Untitled Track]
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| 23. | [Untitled Track]
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| 24. | [Untitled Track]
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| 25. | [Untitled Track]
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| 26. | [Untitled Track]
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| 27. | [Untitled Track]
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Jazz
Recorded at Carnegie Hall, New York, New York on January 16, 1938
All tracks have been digitally remastered using 20-Bit technology.
Benny Goodman (vocals, clarinet)
Martha Tilton (vocals); Hymie Schertzer, Johnny Hodges (soprano & alto saxophones); Lester Young (tenor saxophone); Harry Carney (baritone saxophone); George Koenig, Art Rollini, Babe Russin (reeds); Ziggy Elman, Chris Griffin, Harry James, Cootie Williams, Buck Clayton (trumpet); Bobby Hackett (cornet); Red Ballard, Vernon Brown (trombone); Lionel Hampton (vibraphone); Jess Stacy, Teddy Wilson, Count Basie (piano); Alan Reuss, Freddie Greene (gyuitar); Harry Goodman, Walter Page (bass); Gene Krupa (drums)
Producer: Albert Marx.
Reissue producer: Phil Schaap.
Includes liner notes by Phil Schaap and Turk Van Lake.
The Benny Goodman Orchestra was in top form when this concert was performed on January 16th, 1938. But this is more than just a concert; this date is significant because it represents the first time a jazz ensemble ever played in a concert hall.
The full Goodman orchestra is featured on many tracks of this two-disc set. Goodman also splits up the evening with some performances by his trio and quartet. Additionally, he gives a 20-year retrospective of jazz, highlighting the Dixieland sound and innovators such as Louis Armstrong, Duke Ellington, and others. (On "Blue Reverie," some of Ellington's musicians even sit in with Goodman.) Highlights include "Sing Sing Sing (With a Swing)," a classic tune that helped to define the Swing Era itself. This piece features the charismatic drummer Gene Krupa, whose tom-tom rhythms convey a kind of "jungle feel," as the brass figures mimic the call of elephants. On "Avalon," another Goodman favorite, vibraphonist Lionel Hampton really shines. His meticulous arpeggiated runs up and down the vibes are just as exciting today as they must have been in 1938. LIVE AT CARNEGIE HALL 1938 is truly a jazz milestone.
Benny Goodman's January 16, 1938, Carnegie Hall concert is considered the single most important jazz or popular music concert in history: jazz's "coming out" party to the world of "respectable" music, held right in that throne room of musical respectability, Carnegie Hall. The 1950-vintage three-album set from the concert only solidified its reputation, and an earlier CD release derived from the LP master was a choice entry in the Goodman catalog for more than ten years. For the 1999 release, producer Phil Schaap re-sourced the concert from original 78 rpm transcription discs; he has also rescued "Sometimes I'm Happy," the show's original second number, and "If Dreams Come True," its original first encore, along with the unedited version of "Honeysuckle Rose" (with Harry Carney in a two-chorus baritone sax solo and Buck Clayton's three-chorus trumpet solo), all previously lost. The detail is startling, with soloists who are more up close than ever and even details from the audience reactions. Gene Krupa's drums have an extraordinary richness of tone, and the whole rhythm section finally gets its due as well, even Freddie Green's rhythm guitar solo during "Honeysuckle Rose," which is gloriously enhanced. There will be casual listeners, however, who won't like this release because Schaap has chosen to leave a lot of surface noise, in the interest of preserving the original concert ambience. Some compromise should have been possible, however, where the worst source damage is concerned, and some casual listeners may prefer the original CD release, despite the enhancements featured here.
---Bruce Eder, All Music Guide |
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