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| Collector's Items [Japan version] |
| Miles Davis |
japán
első megjelenés éve: 1953 |
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| (2008)
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CD |
| 5.860 Ft
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| 1. | The Serpent's Tooth
Take 1
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| 2. | The Serpent's Tooth
Take 2
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| 3. | 'Round Midnight
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| 4. | Compulsion
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| 5. | No Line
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| 6. | Vierd Blues
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| 7. | In Your Own Sweet Way
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Jazz / Hard Bop
Bop
Cool
Miles Davis - Trumpet
Art Taylor - Drums
Charlie Parker - Sax (Alto), Sax (Tenor)
Paul Chambers - Bass
Percy Heath - Bass
Philly Joe Jones - Drums
Sonny Rollins - Sax (Tenor)
Tommy Flanagan - Piano
Walter Bishop - Piano
* Bob Weinstock - Supervisor
* Ira Gitler - Liner Notes, Supervisor
* Rudy Van Gelder - Engineer
* Tamaki Beck - Mastering
These two blowing dates, done three years apart in the Fifties, have Davis and Sonny Rollins as the linking figures. The historic first session, from 1953, is the second and last time Charlie Parker (using the nom de groove "Charlie Chan") recorded on tenor saxophone. Additionally, this is the only time Parker and one of his most important disciples, Rollins, recorded together. On the extremely moving, seven-minute "'Round Midnight," Rollins has the opening and closing bridges, credited in the original notes to Parker. The 1956 date is as mellow and relaxed as the 1953 session was tense and neurotic. The only regular sideman present from the Davis quintet of that time is bassist Paul Chambers. Rollins's growth as an individual is readily apparent, and Miles displays his prowess with a Harmon mute on Brubeck's "In Your Own Sweet Way." This session also served to introduce to many listeners the sensitive, subtle, swinging stylings of Tommy Flanagan, freshly arrived from Detroit.
This set lives up to its title by including such interesting sessions as the 1953 date on which Miles Davis welcomed the two tenors of Sonny Rollins and Charlie Parker; other meetings with Rollins in 1951 and 1956; and a moody 1955 date with bassist Charles Mingus, trombone, vibes, and drums (a young Elvin Jones). Highlights include "No Line," "Vierd Blues," "In Your Own Sweet Way," "Nature Boy," and "There's No You." It's classic if often overlooked music from a variety of immortal jazzmen.
--- Scott Yanow, All Music Guide |
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