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 CD |
3.796 Ft
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1. | Monk's Dream [Take 8]
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2. | Body and Soul [Re-Take 2]
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3. | Bright Mississippi [Take 1]
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4. | Five Spot Blues
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5. | Blue Bolivar Blues [Take 2]
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6. | Just a Gigolo [Solo Piano]
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7. | Bye-Ya
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8. | Sweet and Lovely
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9. | Monk's Dream [original trio version 1952]
bonus track
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10. | Blue Bolivar Blues [original 1956 quintet version]
bonus track
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11. | Just a Gigolo [solo piano, original 1954 version]
bonus track
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12. | Bye-Ya [original trio version 1952]
bonus track
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13. | Sweet And Lovely [original trio version 1952]
bonus track
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14. | Body and Soul [solo piano, live in 1961]
bonus track
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Jazz Bop Hard Bop
Recorded: Oct 31, 1962-Nov 6, 1962
Thelonious Monk - Main Performer, Piano Charlie Rouse - Sax (Tenor) Frankie Dunlop - Drums John Ore - Bass
* Darren Salmieri - A&R * Don Hunstein - Photography * Howard Fritzson - Reissue Art Director * Linda Chang - Package Manager * Mark Wilder - Mastering * Martin Williams - Liner Notes * Nat Hentoff - Liner Notes * Orrin Keepnews - Reissue Producer * Patti Matheny - A&R * Peter Keepnews - Liner Notes * Ralph J. Gleason - Liner Notes * Randall Martin - Reissue Design * Seth Foster - Assistant Engineer * Seth Rothstein - Project Director * Steven Berkowitz - A&R * Teo Macero - Liner Notes, Producer * Willis Conover - Liner Notes
Monk's Dream marked the beginning of Thelonious Monk's six-year association with Columbia, and though it broke little new ground with the appearance of only one new composition ("Bright Mississippi," based on the chord changes to "Sweet Georgia Brown"), he finally began to reach a wider audience with his first major-label contract. Accompanied by tenor saxophonist Charlie Rouse, bassist John Ore, and drummer Frankie Dunlop, the album became Monk's best-selling release of his entire career. The quartet is in top notch form during the four studio sessions taped in the fall of 1962 which make up the disc. Although the focus is frequently on Rouse's enthusiastic solos, Monk's solo tracks prove to be the most interesting selections. His jagged reworking of "Body and Soul" shows his mixes stride piano with an inventive, unpredictable right hand, while Monk's often hesitant approach to "Just a Gigolo" proves to be quite humorous, whether or not it was his intention. This expanded 2002 reissue adds four alternate takes, three of which are previously unreleased, and it should be considered an essential purchase for anyone interested in his works. --- Ken Dryden, All Music Guide |
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