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| It's All Right ! |
| Teddy Edwards |
első megjelenés éve: 1967
43 perc |
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| (1990)
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CD |
| 5.025 Ft
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| 1. | It's All Right
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| 2. | Going Home
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| 3. | Afraid of Love
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| 4. | Wheelin' and Dealin'
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| 5. | Mamacita Lisa
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| 6. | Back Alley Blues
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| 7. | The Cellar Dweller
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| 8. | Moving In
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Jazz / Hard Bop
Teddy Edwards - Arranger, Sax (Tenor)
Ben Tucker - Bass
Cedar Walton - Piano
Don Schlitten - Design, Producer, Photography
Freddie Hill - Arranger
Garnett Brown - Trombone
Jimmy Owens - Trumpet, Flugelhorn
Kirk Felton - Remastering
Lenny McBrowne - Drums
Ralph Berton - Liner Notes
Richard Alderson - Engineer
This is an interesting transitional set by tenor saxophonist Teddy Edwards, originally cut for Prestige and now available as a CD in the OJC series. Although the music (mostly Edwards originals) is essentially hard bop, there are hints of the avant-garde here and there in the harmonies and solos. Edwards plays as well as usual, and his supporting cast (trumpeter Jimmy Owens, trombonist Garnett Brown, pianist Cedar Walton, bassist Ben Tucker, and drummer Lenny McBrowne) is impressive. None of the tunes caught on as standards, and Edwards would not have an opportunity to record as a leader for another seven years, but the largely straight-ahead music has dated pretty well. ~ Scott Yanow, All Music Guide
Teddy Edwards
Active Decades: '40s, '50s, '60s, '70s, '80s, '90s and '00s
Born: Apr 26, 1924 in Jackson, MS
Died: Apr 20, 2003 in Los Angeles, CA
Genre: Jazz
Styles: Bop, Hard Bop, West Coast Jazz
Teddy Edwards was, with Dexter Gordon and Wardell Gray, the top young tenor of the late '40s. Unlike the other two, he chose to remain in Los Angeles and has been underrated through the years but remained in prime form well into his 70s. Early on, he toured with Ernie Fields' Orchestra, moving to L.A. in 1945 to work with Roy Milton as an altoist. Edwards switched to tenor when he joined Howard McGhee's band and was featured in many jam sessions during the era, recording "The Duel" with Dexter Gordon in 1947. A natural-born leader, Edwards did work briefly with Max Roach & Clifford Brown (1954), Benny Carter (1955), and Benny Goodman (1964), and he recorded in the 1960s with Milt Jackson and Jimmy Smith. But it was his own records -- for Onyx (1947-1948), Pacific Jazz, Contemporary (1960-1962), Prestige, Xanadu, Muse, SteepleChase, Timeless, and Antilles -- that best displayed his playing and writing; "Sunset Eyes" is Edwards' best-known original.
---Scott Yanow, All Music Guide |
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