Jazz / Soul-Jazz, Hard Bop
Hank Crawford - Sax (Alto), Piano
Abdul Baari Sax (Tenor)
Ali Mohammed Bass
Amy DiDonato Production Coordination
Arif Mardin Original Recording Producer, ?
Bill Putnam Engineer
Bruno Carr Drums
Charlie Green Bass
Chuck Stewart Photography
David "Fathead" Newman Sax (Tenor)
Edgar Willis Bass
Gary Kramer Liner Notes
Gene Paul Mastering
Howard Johnson Sax (Baritone)
Jim Marshall Photography, ?
Jimmy Owens Trumpet
Joel Dorn Producer, Liner Notes
John Hunt Trumpet
Julius Brooks Trumpet
Lee Friedlander Photography
Les Davis Liner Notes
Loring Eutemey Cover Design, ?
Marcus Belgrave Trumpet
Marty Paich Conductor, Arranger
Marvin Israel Cover Design, ?
Milt Turner Drums
Nancy Dwyer Design
Nat Hentoff Liner Notes
Nesuhi Ertegun Original Recording Producer, ?
Oliver Beener Trumpet
Page Simon Design
Phil Guilbeau Trumpet
Phil Iehle Engineer
Sonny Forrest Guitar
Tom Dowd Engineer
Wendell Harrison Sax (Tenor)
Wilbur Brown Sax (Tenor)
Altoist Hank Crawford is not quite at peak form on the LPs which comprise this two-fer reissue, but it contains enough moments of excitement to ensure that serious fans will want to add Memphis Ray/Touch of Moody to their collections anyway. ~ Jason Ankeny, All Music Guide
Hank Crawford
Active Decades: '50s, '60s, '70s, '80s, '90s and '00s
Born: Dec 21, 1934 in Memphis, TN
Died: Jan 29, 2009 in Memphis, TN
Genre: Jazz
Styles: R&B, Jazz-Funk, Soul-Jazz, Hard Bop, Crossover Jazz
With an unmistakable blues wail, full of emotion and poignancy, altoist Hank Crawford bridges the gap between that tradition and that of jazz more completely than any other living horn player. Born in Memphis, Crawford was steeped in the blues tradition from an early age. He began playing piano but switched to alto when his father brought one home from the army. He claims his early influences as Louis Jordan, Earl Bostic, and Johnny Hodges. Crawford hung out with Phineas Newborn, Jr., Booker Little, and George Coleman in high school. Upon graduating, Crawford played in bands fronted by Ike Turner, B.B. King, Junior Parker, and Bobby "Blue" Bland at Memphis' Palace Theater and Club Paradise. In 1958 Crawford went to college in Nashville where he met Ray Charles. Charles hired Crawford originally as a baritone saxophonist. Crawford switched to alto in 1959 and remained with Charles' band -- becoming its musical director -- until 1963. The phrasing and voicings he learned there proved invaluable to him as the hallmark of his own sound. He also wrote and arranged a tune for Charles. The cut, "Sherry," his first for the band, was put on the Live at Newport album. Crawford cut a slew solo albums for Atlantic while with the band, and when he formed his group, he remained with the label until 1970. He signed with Creed Taylor's Kudu in 1971 and cut a series of fusion-y groove jazz dates through 1982. In 1983 he moved to Milestone and returned to form as a premier arranger, soloist, and composer, writing for small bands -- that included guitarist Melvin Sparks, organist Jimmy McGriff, and Dr. John -- as well as large. Crawford has been constantly active since then, as a leader and sideman, recording the best music of his long career.
---Thom Jurek, All Music Guide |
