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| 3.884 Ft
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| 1. | Georgia
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| 2. | For You
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| 3. | You're Driving Me Crazy
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| 4. | Where Or When
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| 5. | The Song Is You
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| 6. | Just Friends
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| 7. | Yardbird Suite (Take 1)
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| 8. | Yardbird Suite (Take 2)
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| 9. | I Remember You
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| 10. | Bluzarumba
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| 11. | The Moody Blues
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| 12. | Falling In Love With Love (Take 1)
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| 13. | Falling In Love With Love (Take 2)
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| 14. | The Very Thought Of You
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Jazz / Soul-Jazz, Hard Bop
Recorded: 1962, Chicago
Gene Ammons Sax (Tenor)
Dodo Marmarosa - Piano
Kirk Felton Digital Mastering
Leonard Feather Liner Notes
Marshall Thompson - Drums
Phil Carroll Design
Sam Jones Bass
Tony Lane Art Direction, Design
This CD (which completely reissues a double LP with the same title) is a bit unusual for it teams together the great tenor Gene Ammons with the very talented (but now obscure) bop pianist Dodo Marmarosa whose mental problems kept him from pursuing his career. Actually Ammons is only half of this set (which also includes bassist Sam Jones and drummer Marshall Thompson) but Marmarosa is in top form; it's strange that the music was not released for the first time until the mid-'70s. This historical curiosity contains plenty of hard-swinging performances (including two versions apiece of "Yardbird Suite" and "Falling in Love with Love") and is worth picking up. ~ Scott Yanow, All Music Guide
Gene Ammons
Active Decades: '40s, '50s, '60s and '70s
Born: Apr 14, 1925 in Chicago, IL
Died: Aug 06, 1974 in Chicago, IL
Genre: Jazz
Styles: Bop, Soul-Jazz, Hard Bop
Gene Ammons, who had a huge and immediately recognizable tone on tenor, was a very flexible player who could play bebop with the best (always battling his friend Sonny Stitt to a tie) yet was an influence on the R&B world. Some of his ballad renditions became hits and, despite two unfortunate interruptions in his career, Ammons remained a popular attraction for 25 years.
Son of the great boogie-woogie pianist Albert Ammons, Gene Ammons (who was nicknamed "Jug") left Chicago at age 18 to work with King Kolax's band. He originally came to fame as a key soloist with Billy Eckstine's orchestra during 1944-1947, trading off with Dexter Gordon on the famous Eckstine record Blowing the Blues Away. Other than a notable stint with Woody Herman's Third Herd in 1949 and an attempt at co-leading a two tenor group in the early '50s with Sonny Stitt, Ammons worked as a single throughout his career, recording frequently (most notably for Prestige) in settings ranging from quartets and organ combos to all-star jam sessions. Drug problems kept him in prison during much of 1958-1960 and, due to a particularly stiff sentence, 1962-1969. When Ammons returned to the scene in 1969, he opened up his style a bit, including some of the emotional cries of the avant-garde while utilizing funky rhythm sections, but he was still able to battle Sonny Stitt on his own terms. Ironically the last song that he ever recorded (just a short time before he was diagnosed with terminal cancer) was "Goodbye."
---Scott Yanow, All Music Guide |
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