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5.274 Ft
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1. | Sho' Nuff Blues
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2. | Ornate
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3. | Ashes
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4. | You Known
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5. | Dirty Rag
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Jazz / Avant-Garde, Post-Bop, Avant-Garde Jazz
Bobby Bradford - Trumpet, Cornet Bob Kinsey Engineer Gennaro Carone Mastering Giovanni Bonandrini Producer Mark Dresser Bass Mark Weber Photography Roberto Miguel Miranda Bass Sherman Ferguson Drums Stanley Crouch Liner Notes
Cornetist Bobby Bradford has recorded far too infrequently throughout his career. A mellow-toned player with an adventurous style that is usually surprisingly accessible, Bradford is well-featured on this excellent quintet date with altoist James Kousakis, both Roberto Miguel Miranda and Mark Dresser on bass and drummer Sherman Ferguson. Together they perform five of Bradford's originals, music that at its best (particularly on "Sho Nuff Blues" and "Dirty Rag") looks both backwards to earlier styles and extends the innovations of Ornette Coleman. Recommended. ~ Scott Yanow, All Music Guide
Nothing lost about this set, as Bobby Bradford's work is tight and focused throughout -- and stands as a hip west coast contrast to early 80s avant jazz material from points east! There's a feel here that's a lot like some of the Nimbus Records albums of the time -- material that's definitely towards the left side of the jazz spectrum, but which is usually never too far out -- often tied together with a sense of spirit, or a bit of swing -- and at the best moments, a nice little groove that really grabs our attention. Even back in the 60s, Bobby always brought a great sense of rhythm to his farther-out work -- and that tradition definitely continues here, thanks to help from the Mark Dresser and Roberto Miguel Miranda on bass, and Sherman Ferguson on drums. Bradford plays cornet, James Kousakis plays alto sax, and titles include "You Known", "Dirty Rag", "Ashes", "Ornate", and "Sho Nuff Blues".
Bobby Bradford
Active Decades: '50s, '60s, '70s, '80s, '90s and '00s Born: Jul 19, 1934 in Cleveland, MS Genre: Jazz Styles: Avant-Garde, Post-Bop, Avant-Garde Jazz
One of the best trumpeters to emerge from the avant-garde, Bobby Bradford largely fulfilled the potential of Don Cherry (whose chops declined through the years due to the amount of time allocated to performing on flute and other instruments). Bradford grew up in Dallas, playing trumpet locally with such local players as Cedar Walton and David Newman. In 1953, he moved to Los Angeles where he met and played with Ornette Coleman and Eric Dolphy. Bradford spent time in the military and in school before becoming Don Cherry's replacement with the Ornette Coleman Quartet in 1961-1963, a period when the group unfortunately rarely worked. After moving to Los Angeles, Bradford became a school teacher and also began a longtime association with clarinetist John Carter; his mellow trumpet blended in well with Carter's dissonant flights. He recorded with Ornette Coleman in 1971, but otherwise is best known for his playing and recordings with Carter. Since the clarinetist's death, Bradford frequently led a quintet (the Mo'tet) featuring Vinny Golia and occasionally Marty Ehrlich. In the '90s, he also performed with John Stevens' Freebop, the David Murray Octet, and Charlie Haden's Liberation Music Orchestra. ---Scott Yanow, All Music Guide |
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