Jazz / Avant-Garde, Fusion, Post-Bop
Terje Rypdal - Organ, Guitar, Guitar (Synthesizer), Flute, Keyboards
Arild Andersen Bass
Brynjolf Blix Organ
Dieter Rehm Design
Eckehard Fintl Oboe
Gerd Winner Cover Design
Jack DeJohnette Drums
Jan Erik Kongshaug Engineer
Jan Garbarek Flute
Jon Christensen Percussion, Drums
Manfred Eicher Producer
Miroslav Vitous Bass
Odd Ulleberg French Horn
Palle Mikkelborg Piano, Keyboards, Trumpet
Pete Knutsen Mellotron
Roberto Masotti Photography
Svein Christiansen Drums
Sveinung Hovensjo Bass (Electric)
An excellent sampler of Rypdal's music, it includes two cuts from his superb (but currently unavailable) early-'70s albums. ~ Michael P. Dawson, All Music Guide
Terje Rypdal
Active Decades: '70s, '80s, '90s and '00s
Born: Aug 23, 1947 in Oslo, Norway
Genre: Jazz
Styles: Avant-Garde, Avant-Garde Jazz, Classical Crossover, Continental Jazz, Euro-Rock, European Folk, Fusion, Modern Composition, Modern Creative, Post-Bop
Terje Rypdal has long had an unusual style, mixing together elements more commonly found in new age and rock than in jazz; yet he is also an adventurous improviser. Associated with the ECM label since the early '70s, Rypdal's playing is definitely an acquired taste, using space and dense sounds in an unusual manner. Classically trained as a pianist, Rypdal was largely self-taught on guitar and originally most influenced by Jimi Hendrix. He attended Oslo University, where he was taught the Lydian chromatic concept of tonal organization by its author, George Russell. Rypdal played with Russell for a time and started an association with Jan Garbarek in the late '60s. He formed the group Odyssey in 1972, and has led various small groups since the mid-'70s. An important guitarist and composer in Norway, Terje Rypdal gained a cult following in the United States. He recorded steadily for ECM since 1972 (using such sidemen at times as Garbarek, pianist Bobo Stenson, trumpeter Palle Mikkelborg, bassist Miroslav Vitous, drummer Jack DeJohnette, and cellist David Darling). His two earlier sessions (for the Karusell label in 1968, and a notable 1969 Baden-Baden, Germany, concert put out by MPS) are more difficult to find.
---Scott Yanow, All Music Guide |
