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| Little Jazz - Wabash Stomp / Fish Market |
| Roy Eldridge |
német
első megjelenés éve: 2007 |
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| (2010)
[ DIGIPACK ]
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2 x CD |
| 3.726 Ft
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| 1. CD tartalma: |
| 1. | When I Grow Too Old To Dream
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| 2. | [Lookie, Lookie, Lookie] Here Comes Cookie
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| 3. | Big Chief De Soto [Grand Terrace Swing]
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| 4. | Stealin' Apples
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| 5. | Blue Lou
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| 6. | Warmin' Up
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| 7. | Blues In C Sharp Minor
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| 8. | Mary Had A Little Lamb
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| 9. | Heckler's Hop
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| 10. | Florida Stomp
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| 11. | Wabash Stomp
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| 12. | After You've Gone
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| 13. | Where The Lazy River Goes By
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| 14. | That Thing
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| 15. | More Than You Know
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| 16. | Wham! [Be-Bop-Boom-Bam]
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| 17. | Fallin' In Love Again
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| 18. | I'm Nobody's Baby
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| 19. | I Can't Believe That You're In Love With Me
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| 20. | I Surrender Dear
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| 21. | Let Me Off Uptown
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| 2. CD tartalma: |
| 1. | Jump Through The Window
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| 2. | The Gasser
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| 3. | Stardust
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| 4. | Minor Jive
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| 5. | Don't Be That Way
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| 6. | I Want To Be Happy
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| 7. | Fiesta In Brass
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| 8. | I Can't Get Started
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| 9. | Flyin' On A V-Disc Part 1 [Flying Home]
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| 10. | Flyin' On A V-Disc Part 2 [Flying Home]
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| 11. | I Only Have Eyes For You
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| 12. | &
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| 13. | I'm In The Mood For Love
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| 14. | Bean At The Met
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| 15. | Body And Soul
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| 16. | After You've Gone
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| 17. | Fish Market
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| 18. | Twilight Time
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| 19. | St. Louis Blues
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| 20. | The Graptown Grapple
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| 21. | The Sad Sack
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| 22. | Little Jazz
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Jazz
CD 1: Wabash Stomp - 65:32 min.
When I Grow Too Old To Dream
New York, June 25, 1935
Putney Dandridge (vcl)(p), Roy Eldridge (tp), Chu Berry (ts), Hilton "Nappy" Lamare (g), Artie Bernstein (b), Bill Beason (d)
(Lookie, Lookie, Lookie) Here Comes Cookie
New York, February 26, 1935
Teddy Hill (ts)(ldr), Bill Coleman, Bill Dillard, Roy Eldridge (tp), Dickie Wells (tb), Russell Procope (cl)(as), Howard Johnson (as), Chu Berry (ts), Sam Allen (p), John Smith (g), Richard Fulbright (b), Bill Beason (d)
Big Chief De Sota (Grand Terrace Swing)
Stealin' Apples
Chicago, March 27, 1936
Fletcher Henderson (p)(arr), Dick Vance (tb)(arr), Joe Thomas, Roy Eldridge (tp), Fernando Arbello, Ed Cuffee (tb), Buster Bailey (cl)(as), Scoops Carry (as), Elmer Williams, Chu Berry (ts), Bob Lossy (g), John Kirby (b), Sidney Catlett (d)
Blue Lou
Chicago, March 27, 1936
Same, except Horace Henderson (p)(arr) replaces Fletcher Henderson
Warmin' Up
Blues In C Sharp Minor
Mary Had A Little Lamb
Chicago, May 14, 1936
Teddy Wilson (p), Roy Eldridge (tp)(vcl), Buster Bailey (cl), Chu Berry (ts), Bob Lessey (g), Israel Crosby (b), Sid Catlett (d)
Heckler's Hop
Florida Stomp
Wabash Stomp
Chicago, January 23, 1937
Roy Eldridge (tp), Scoops Carry, Joe Eldridge (as), Dave Young (ts), Teddy Cole (p), John Collins (g), Truck Parham (b), Zutty Singleton (d)
After You've Gone
Where The Lazy River Goes By
That Thing
Chicago, January 28, 1937
Same, Gladys Palmer (vcl) added
More Than You Know
New York, January 30, 1939
Teddy Wilson (p), Roy Eldridge (tp), Benny Carter (as), Ernie Powell (ts), Danny Barker (g), Milt Hinton (b), Cozy Cole (d)
Wham! (Be-Bop-Boom-Bam)
New York, January 15, 1940
Mildred Bailey (vcl), Roy Eldridge (tp)(vcl), Robert Burns, Jimmy Carroll (cl), Carl Prager (b)(cl), Eddie Powell (fl), Teddy Wilson (p), John Collins (g), Pete Peterson (b), Bill Beason (d), Eddie Sauter (d)
Fallin' In Love Again
New York, February 29. 1940
Billie Holiday (vcl), Roy Eldridge (tp), Jimmy Powell, Carl Frye (as), Kermit Scott (ts), Sonny White (p), Lawrence Lucie (g), John Williams (b), Hal West (d)
I'm Nobody's Baby
New York, April 2, 1940
Mildred Bailey (vcl), Roy Eldridge (tp), Robert Burns, Jimmy Carroll (cl), Carl Prager (b)(cl), Eddie Powell (fl), Teddy Wilson (p), John Collins (g), Pete Peterson (b), Bill Beason (d), Mitch Miller (oboe), Eddie Sauter (arr)
I Can’t Believe That You’re In Love With Me
I Surrender Dear
May 25, 1940
The Chocolate Dandies: Roy Eldridge (tp), Benny Carter (as), Coleman Hawkins (ts), Bernard Addison (g), John Kirby (b), Sid Catlett (d)
Let Me Off Uptown
New York, May 8, 1941
Roy Eldridge (tp)(vcl), Norman Murphy, Torg Halten, Graham Young (tp), John Grassie, Jay Kelleher, Babe Wagner (tb), Clint Neagley, Musky Ruffo (as), Sam Musiker (cl)(ts), Walter Bates (ts), Bob Curtis (p), Ray Biondi (g), Biddy Bastien (b), Gene Krupa (d)
CD 2: Fish Market - 68:09 min.
Jump Through The Window
The Gasser
Stardust
Minor Jive
Chicago, November 16, 1943
David "Roy" Eldridge (tp), Joe-Andrew Gardner (as), Abrams Quebec, Tom Archia (ts), Rozelle Gayle (p), Theodore Sturgis (b), Harold West (d)
Don't Be That Way
I Want To Be Happy
Fiesta In Brass
New York, January 24, 1944
David "Roy" Eldridge, Joe Thomas, Emmett Berry (tp), Johnny Guarnieri (p), Israel Crosby (b), Cozy Cole (d)
I Can't Get Started
Body And Soul
After You've Gone
New York, June 26, 1944
David "Roy" Eldridge, Gus Aiken, John Hamilton, Robert Mason, Clarence Wheeler (tp), Ted Kelly, Andrew Williams, George Wilson (tb), John Eldridge, Sam Lee (as), Franz Jackson, Harold Sinder (ts), Dave McRae (b), Tony D’Amore (p), Sam Allen (g), Carl Wilson (b), Les Erkine (d)
Flyin' On A V-Disc – Part 1 (Flying Home)
Flyin' On A V-Disc – Part 2 (Flying Home)
Chicago, November 16, 1943
Louis Armstrong, David "Roy" Eldridge (tp), Jack Teagarden (tb), Barney Bigards (cl), Coleman Hawkins (ts), Art Tatum (p), Al Casey (g), Oscar Pettiford (b), Sid Catlett (d), Lionel Hampton (vib)
I Only Have Eyes For You
'S Wonderful
I'm In The Mood For Love
Bean At The Met
New York, January 31, 1944
Roy Eldridge (tp), Coleman Hawkins (ts), Teddy Wilson (p), Billy Taylor (b), Cozy Cole (d)
Fish Market
Twilight Time
St. Louis Blues
New York, October 13, 1944
David "Roy" Eldridge (tp)(vcl), Sidney De Paris, Paul Cohen, Robert Mason, Pingus Savitt (tp), Wilbur De Paris, Sandy Williams, Victor Dickenson, George Stevenson (tb), Joe Eldridge, Curby Alexander (as), Franz Jackson, Hal Singer (ts), Dave McRae (b), Humphrey Brannon (p), Napoleon Allen (g), Billy Taylor (b), Cozy Cole (d)
The Graptown Grapple
The Sad Sack
New York, January 9, 1945
Artie Shaw And His Gramercy Five: Roy Eldridge (tp), Artie Shaw (cl), Dodo Marmarosa (p), Barney Kessel (g), Morris Rayman (b), Louis Fromm (d)
Little Jazz
Los Angeles, April 5, 1945
Artie Shaw And His Orchestra: Artie Shaw (cl)(dir), Paul Cohen, Bernie Glow, Roy Eldridge, George Schwartz (tp), Gus Dikson, Harry Rogers, Bob Swift, Ollie Wilson (tb), Lou Prisby, Rudolph Tanza (as), Herbie Stewart, John Walton (ts), Chuck Gentry (bs), Dodo Marmarosa (p), Barney Kessel (g), Morris Rayman (b), Louis Fromm (d), Hal Stevens (vcl)
Buchformat 2 CD + 20 page booklet
The trumpet solos of Roy Eldridge are some of the most exciting music to come out of the swing era - at the peak of his career he was considered by many to be a superior trumpeter to even Louis Armstrong. His extremely early beginnings as a professional musician gave him the experience and confidence to push himself and his music to the limits and beyond, making him an inspiration for several generations of jazz musicians and an influence on the boppers.
Roy Eldridge
Active Decades: '30s, '40s and '50s
Born: Jan 30, 1911 in Pittsburgh, PA
Died: Feb 26, 1989 in Valley Stream, NY
Genre: Jazz
Styles: Big Band, Swing, Mainstream Jazz, Jazz Instrument, Trumpet Jazz
One of the most exciting trumpeters to emerge during the swing era, Roy Eldridge's combative approach, chance-taking style and strong musicianship were an inspiration (and an influence) to the next musical generation, most notably Dizzy Gillespie. Although he sometimes pushed himself farther than he could go, Eldridge never played a dull solo.
Roy Eldridge started out playing trumpet and drums in carnival and circus bands. With the Nighthawk Syncopators he received a bit of attention by playing a note-for-note re-creation of Coleman Hawkins' tenor solo on "The Stampede." Inspired by the dynamic playing of Jabbo Smith (Eldridge would not discover Louis Armstrong for a few years), Eldridge played with some territory bands including Zack Whyte and Speed Webb and in New York (where he arrive in 1931) he worked with Elmer Snowden (who nicknamed him "Little Jazz"), McKinney's Cotton Pickers, and most importantly Teddy Hill (1935). Eldridge's recorded solos with Hill, backing Billie Holiday and with Fletcher Henderson (including his 1936 hit "Christopher Columbus") gained a great deal of attention. In 1937 he appeared with his octet (which included brother Joe on alto) at the Three Deuces Club in Chicago and recorded some outstanding selections as a leader including "Heckler's Hop" and "Wabash Stomp." By 1939 Eldridge had a larger group playing at the Arcadia Ballroom in New York. With the decline of Bunny Berigan and the increasing predictability of Louis Armstrong, Eldridge was arguably the top trumpeter in jazz during this era.
During 1941-1942 Eldridge sparked Gene Krupa's Orchestra, recording classic versions of "Rockin' Chair" and "After You've Gone" and interacting with Anita O'Day on "Let Me Off Uptown." The difficulties of traveling with a White band during a racist period hurt him, as did some of the incidents that occurred during his stay with Artie Shaw (1944-1945) but the music during both stints was quite memorable. Eldridge can be seen in several "soundies" (short promotional film devoted to single songs) of this era by the Krupa band, often in association with O'Day, including "Let Me Off Uptown" and "Thanks for the Boogie Ride." He is also very prominent in the band's appearance in Howard Hawks' Ball of Fire, in an extended performance of "Drum Boogie" mimed by Barbara Stanwyck, taking a long trumpet solo -- the clip was filmed soon after Eldridge joined the band in late April of 1941, and "Drum Boogie" was a song that Eldridge co-wrote with Krupa.
Eldridge had a short-lived big band of his own, toured with Jazz at the Philharmonic, and then had a bit of an identity crisis when he realized that his playing was not as modern as the beboppers. A successful stay in France during 1950-1951 restored his confidence when he realized that being original was more important than being up-to-date. Eldridge recorded steadily for Norman Granz in the '50s, was one of the stars of JATP (where he battled Charlie Shavers and Dizzy Gillespie), and by 1956, was often teamed with Coleman Hawkins in a quintet; their 1957 appearance at Newport was quite memorable. The '60s were tougher as recording opportunities and work became rarer. Eldridge had brief and unhappy stints with Count Basie's Orchestra and Ella Fitzgerald (feeling unnecessary in both contexts) but was leading his own group by the end of the decade. He spent much of the '70s playing regularly at Ryan's and recording for Pablo and, although his range had shrunk a bit, Eldridge's competitive spirit was still very much intact. Only a serious stroke in 1980 was able to halt his horn. Roy Eldridge recorded throughout his career for virtually every label.
---Scott Yanow, All Music Guide |
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