| Jazz Classic Jazz
 Big Band
 Swing
 
 Recorded: Feb 25, 1927-Apr 13, 1939
 
 Adrian Rollini - Vibraphone, Xylophone
 Al Carsella - Piano-Accordian
 Al Harris - Trumpet
 Al Thompson - Sax (Tenor)
 Andy Aiona - Sax (Alto)
 Andy Secrest - Clarinet
 Art Gronwall - Arranger, Piano
 Art Miller - String Bass
 Arthur Schutt - Piano
 Arthur Whetsol - Trumpet
 Artie Bernstein - String Bass
 Babe Russin - Sax (Tenor)
 Barney Bigard - Clarinet
 Ben Pollack - Drums
 Ben Williams II - Clarinet, Sax (Alto), Sax (Baritone)
 Benny Goodman - Clarinet, Clarinet (Bass), Sax (Alto), Sax (Baritone), Sax (Soprano)
 Benny Morton's All Stars - Trombone
 Bernie Billings - Sax (Tenor)
 Bill Harty - Drums
 Bill Paley - Drums
 Bill Rank - Trombone
 Bill Trone - Trombone
 Billy Taylor, Sr. - String Bass
 Bing Crosby - Vocals
 Bix Beiderbecke - Cornet, Improvisation
 Bob Hutsell - Clarinet, Sax (Alto)
 Bob Mayhew - Trumpet
 Bob Nolan - Vocals
 Bobby Bruce - Clarinet, Sax (Alto)
 Bobby Hackett - Clarinet
 Bobby Stark - Trumpet
 Boyce Cullen - Trombone
 Brad Gowans - Arranger, Trombone (Valve)
 Brian Rust - Discographical Information
 Bromo Sulser - Violin
 Buddy Rich - Drums
 Byron Smart - Trumpet
 Carl Kress - Banjo, Guitar
 Carl Webster - Bowed Bass, Director, String Bass
 Cary Ginell - Producer
 Charles Strickfaden - Clarinet, Sax (Tenor)
 Charlie Margulis - Cornet
 Chauncey Morehouse - Drums, Vibraphone
 Chester Hazlett - Clarinet, Clarinet (Bass), Sax (Alto)
 Clarence Holiday - Guitar
 Claude Jones - Trombone
 Cliff Williams - Drums
 Coleman Hawkins - Clarinet, Sax (Tenor)
 Cootie Williams - Trumpet
 Cuba Austin - Drums, Vibraphone
 Dan Levinson - Pitch Adjustment
 Dave Bowman - Piano
 Dave Wilborn - Banjo, Guitar, Vocals
 Dee Orr - Drums
 Dick Kent - Sax (Alto)
 Dick McDonough - Banjo, Guitar
 Dick Morgan - Banjo, Guitar
 Dick Sudhalter - Liner Notes
 Don Carter - Drums
 Don Redman - Arranger, Clarinet, Director, Sax (Alto), Sax (Baritone)
 Dudley Fosdick - Mellophonium
 Duke Ellington - Director, Piano
 Earl Baker - Trumpet
 Ed "Snoozer" Quinn - Guitar
 Eddie Condon - Guitar
 Eddie Lang - Guitar
 Elliott Jacoby - Arranger
 Emil Seidel - Director, Piano
 Enrico Borsetti - Photography
 Ernie Caceres - Sax (Baritone)
 Fletcher Henderson - Arranger, Director, Piano
 Frank Driggs - Photography
 Frank Victor - Guitar
 Frankie Trumbauer - Arranger, Improvisation, Sax (Alto), Sax (C-Melody)
 Fred Guy - Guitar
 Fud Livingston - Clarinet, Sax (Tenor)
 Fuzzy Farrar - Trumpet
 Gene Krupa - Drums
 Gene Roselli - Trumpet
 Gene Woods - Sax (Alto)
 George Marsh - Drums
 George Troup - Trombone
 George W. Thomas - Clarinet, Sax (Tenor)
 Gil Rodin - Clarinet, Sax (Alto)
 Glenn McGaha Miller - Arranger, Trombone
 Gus Mayhew - Trombone
 Hal Kemp - Clarinet, Director, Sax (Alto)
 Hal McDonald - Bells, Cymbals, Drums
 Harold Fletcher - Trumpet
 Harold George - Bowed Bass
 Harold McLean - Clarinet, Sax (Alto)
 Harold Stokes - Arranger, Piano-Accordian
 Harry "Buzz" Wernert - Guitar
 Harry Bason - Piano
 Harry Carney - Clarinet, Sax (Alto), Sax (Baritone)
 Harry Clark - String Bass
 Harry Goodman - Bowed Bass
 Harry Hines - Clarinet, Sax (Alto)
 Harry Perrella - Piano
 Henry Busse - Trumpet
 Herb Taylor - Trombone
 Hoagy Carmichael - Cello, Piano, Vocals
 Irving Friedman - Clarinet, Sax (Tenor)
 Irving Kaufman - Vocals
 Irving Mills - Director, Violin, Vocals
 Ivie Anderson - Vocals
 Jack Fulton - Trombone
 Jack Plant - Vocals
 Jack Russell - Piano
 Jack Teagarden - Trombone
 Jack Thompson - Trumpet
 Jim Devlin - Drums
 Jimmi Cannon - Clarinet, Sax (Alto)
 Jimmy Dorsey - Clarinet, Sax (Alto), Sax (Baritone)
 Jimmy McPartland - Clarinet, Trumpet
 Jock Fleming - Trombone
 Joe Gillespie - Clarinet, Sax (Alto)
 Joe Hooven - Trumpet
 Joe Moxley - Clarinet, Sax (Alto)
 Joe Tarto - Bowed Bass
 Joe Tricky Sam Nanton - Trombone
 Joe Venuti - Violin
 John Bouman - Violin
 John Kirby - Bowed Bass
 John Nesbitt - Trumpet
 John Scott Trotter - Piano
 Johnny Hodges - Clarinet, Sax (Alto), Sax (Soprano)
 Juan Tizol - Trombone (Valve)
 Jules Cassard - String Bass
 Jules Fasthoff - Trombone
 K.A. Theck - Clarinet, Sax (Alto)
 Kurt Dieterle - Violin
 Langston Curl - Trumpet
 Larry Binyon - Sax (Tenor)
 Larry Tice - Clarinet, Sax (Alto), Sax (Tenor)
 Laurie Payne - Sax (Baritone)
 Lawrence D. Brown - Trombone
 Lennie Hayton - Piano
 Leo McConville - Trumpet
 Lloyd Wallen - Trumpet
 Lorin Schulz - Trombone
 Lou Raderman - Violin
 Louis Rapp - Clarinet, Sax (Alto)
 Lyle Smith - Sax (Tenor)
 Manny Klein - Trumpet
 Mario Perry - Violin
 Matty Malneck - Arranger, Violin
 Maurice Bennett - Sax (Tenor)
 Maurice Morse - Sax (Alto)
 Max Connett - Trumpet
 Max Farley - Clarinet, Flute, Sax (Alto)
 Mel Miller - Drums
 Mickey Bloom - Trumpet
 Miff Mole - Trombone
 Mike Kieffer - Discographical Information, Liner Notes, Producer, Remastering
 Mike Pingatore - Banjo
 Mike Trafficante - Bowed Bass
 Milt Rettenberg - Piano
 Min Leibrook - Sax (Bass)
 Misha Russel - Violin
 Muggsy Spanier - Clarinet
 Myron Schultz - Leader, Violin
 Nat Natoli - Trumpet
 Neil Waterman - Guitar
 Norman Payne - Trumpet
 Olly Humphries - Banjo
 Oscar Rossberg - Trombone
 Paul Lyman - Violin
 Paul Weston - Bowed Bass
 Paul Whiteman - Leader
 Pee Wee Hunt - Trombone
 Pete Clark - Sax (Alto)
 Prince Robinson - Clarinet, Sax (Tenor)
 Ralph Escudero - Bowed Bass
 Ray Miller - Director
 Ray Noble - Arranger, Cello, Director
 Red Ginsler - Trombone
 Red Nichols - Trumpet
 Red Norvo - Marimba
 Reggie Byleth - Clarinet, Sax (Alto), Sax (Tenor)
 Rex Stewart - Clarinet, Trumpet
 Russell Procope - Clarinet, Sax (Alto)
 Russell Smith - Trumpet
 Saxie Dowell - Clarinet, Sax (Tenor)
 Seelye Vidal - Trumpet
 Sid Jacobs - String Bass
 Sidney Fine - Piano
 Skinnay Ennis - Drums
 Sonny Greer - Drums
 Spike Hughes - String Bass
 Stan King - Drums
 Steve Brown - String Bass
 Stew Pletcher - Trumpet
 Todd Rhodes - Cello, Piano
 Tommy Dorsey - Trombone
 Tunetwisters - Vocals
 Van Flemming - Banjo, Vocals
 Vernon Brown - Trombone
 Vic Berton - Drums
 Vic Breidis - Piano
 Volly DeFaut - Clarinet, Sax (Alto)
 Walter Johnson Jr. - Drums
 Wilbur Hall - Trombone
 
 Volume five of Bix Restored was originally supposed to be a CD version of the grand idea that concludes Sunbeam's original Sincerely, Bix Beiderbecke LP set -- demonstrating the influence that Beiderbecke had upon his colleagues and successors. Yet with the inclusion of three recently found Bix outtakes -- the first such discovery in 30 years or so -- this album became a must-have for Bix fanatics. Not-so-dedicated outsiders may wonder what all the shouting is about. Only one of the selections ("Futuristic Rhythm") contains a full-blown new Beiderbecke solo, whereas "Ol' Man River" with the Paul Whiteman Orchestra has only a brief, two-bar appearance by Bix that is almost identical with the original, and "Raisin' the Roof" contains only two Bix statements of the bridge of the tune. In his fascinating liner notes, Bix scholar Richard Sudhalter readily acknowledges some disappointment. Still, "Futuristic Rhythm" may well be worth the price of admission, for Bix's solo is different and equally as inventive as that of the released take, with a neat new smear to open the last eight bars. And it's a great record, too, with a jumping, genuinely prophetic rhythm. After the Bix addenda comes a parade of soloists and bands from the late '20s and 1930s, whether trumpeters like Red Nichols, Jimmy McPartland, and Andy Secrest, who openly evoke Bix's tone and phrasing, non-trumpeters (Benny Goodman on alto sax, a scatting Bing Crosby) who incorporated the Bix influence in their sound at one time, or performers like Rex Stewart and Red Norvo who put their own spins on Bix's repertoire. There are few masterpieces on the tour (Duke Ellington's swingin' "Kissin' My Baby Good-Night" is one), some simpering period vocals to wade through, and one sexy anachronism, a 1934 vocalese version of "Singin' the Blues" by Marion Harris that would have been at home in the 1950s! Sunbeam's aim is to carefully remaster and issue every note Beiderbecke ever played in front of a microphone or recording horn -- and pending discovery of any hitherto-unknown rejected outtakes in some cobwebbed closet, they have done it, with valuable historical perspective in the deal.
 ---Richard S. Ginell, All Music Guide
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