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| Barney's Bounce |
| Barney Bigard, Barney Bigard & His Jazzopators, Barney Bigard & His Orchestra, Barney Bigard & His Trio, Barney Bigard & His Quintet, Benny Morton, Benny Morton & His All-Stars, Duke Ellington, Duke Ellington & His Cotton Club Orchestra, Duke Ellington & His Orchestra, Jelly Roll Morton, Jelly Roll Morton & His Trio, Kid Ory, Kid Ory & His Creole Jazz Band, Louis Armstrong, Louis Armstrong & His All-Stars, Rex Stewart, Rex Stewart & His Feetwarmers, Zutty Singleton, Zutty Singleton & His Trio, Zutty Singleton & His Creole Band |
angol
első megjelenés éve: 2004
76 perc |
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| (2004)
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CD |
| 3.396 Ft
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| 1. | Barney's Bounce
Zutty Singleton & His Trio, Zutty Singleton |
| 2. | Saturday Night Function
Duke Ellington & His Cotton Club Orchestra, Duke Ellington |
| 3. | Smilin' the Blues Away
Jelly Roll Morton & His Trio, Jelly Roll Morton |
| 4. | Turtle Twist
Jelly Roll Morton & His Trio, Jelly Roll Morton |
| 5. | Mood Indigo
Duke Ellington & His Cotton Club Orchestra, Duke Ellington |
| 6. | Clarinet Lament (Barney's Concerto)
Duke Ellington & His Orchestra, Duke Ellington |
| 7. | I Know That You Know
Rex Stewart & His Feetwarmers, Rex Stewart |
| 8. | Barney Goin' Easy
Barney Bigard & His Jazzopators, Barney Bigard |
| 9. | Early Mornin'
Barney Bigard & His Jazzopators, Barney Bigard |
| 10. | Honey Hush (Solid Old Man)
Barney Bigard & His Jazzopators, Barney Bigard |
| 11. | Harlem Air Shaft
Duke Ellington & His Orchestra, Duke Ellington |
| 12. | Across the Track Blues
Duke Ellington & His Orchestra, Duke Ellington |
| 13. | Charlie the Chulo
Barney Bigard & His Orchestra, Barney Bigard |
| 14. | Lament for Javanette
Barney Bigard & His Orchestra, Barney Bigard |
| 15. | A Lull at Dawn
Barney Bigard & His Orchestra, Barney Bigard |
| 16. | Tea for Two
Barney Bigard & His Trio, Barney Bigard |
| 17. | Step Steps Up
Barney Bigard & His Trio, Barney Bigard |
| 18. | Step Steps Down
Barney Bigard & His Trio, Barney Bigard |
| 19. | Crawfish Blues
Zutty Singleton & His Creole Band, Zutty Singleton |
| 20. | Limehouse Blues
Benny Morton & His All-Stars, Benny Morton |
| 21. | Rose Room
Barney Bigard & His Quintet, Barney Bigard |
| 22. | Coquette
Barney Bigard & His Quintet, Barney Bigard |
| 23. | Tiger Rag
Kid Ory & His Creole Jazz Band, Kid Ory |
| 24. | C Jam Blues
Louis Armstrong & His All-Stars, Louis Armstrong |
Jazz
24 Original Mono Recordings 1929-1947
Barney Bigard - Clarinet
Albert Nicholas - Clarinet
Arthur Whetsol - Trumpet
Arvell Shaw - Bass
Ben Webster - Sax (Tenor)
Big Sid Catlett - Drums
Billy Strayhorn - Arranger, Piano
Billy Taylor, Sr. - Bass
Bubber Miley - Trumpet
Bud Scott - Banjo, Guitar
Cootie Williams - Trumpet
Cozy Cole - Drums
Dick Carey - Piano
Django Reinhardt - Guitar
Duke Ellington - Piano
Ed Garland - Bass
Eddie Dougherty - Drums
Eddie Heywood - Piano
Fred Guy - Banjo, Guitar
Freddy Jenkins - Trumpet
Freddy Washington - Piano
Harry Carney - Sax (Baritone)
Hayes Alvis - Bass
Israel Crosby - Bass
Jack Teagarden - Trombone
Jelly Roll Morton - Piano
Jimmy Blanton - Bass
Joe Thomas - Trumpet
Johnny Guarnieri - Piano
Johnny Hodges - Sax (Alto)
Juan Tizol - Trombone, Trombone (Valve)
Kid Ory - Trombone
Lawrence D. Brown - Trombone
Louis Armstrong - Trumpet
Mark Ranshaw - Cover Design
Martin Haskell - Audio Restoration, Remastering
Minor Hall - Drums
Mutt Carey - Trumpet
Norman Bowden - Trumpet
Otto Hardwick - Sax (Alto)
Ray Crick - Compilation
Ray Nance - Trumpet
Rex Stewart - Cello
Sam Nanton - Trombone
Sammy Benskin - Piano
Shelly Manne - Drums
Sonny Greer - Drums
Vic Bellerby - Compilation, Liner Notes
Wallace Jones - Trumpet
Wellman Braud - Bass
Zutty Singleton - Drums
Living Era presents one of the best tribute compilations in their entire catalog; a chronological mini-history of Barney Bigard composed of vintage jazz records made between January 16, 1929 and November 30, 1947. Born in New Orleans, LA in 1906, Bigard chose the life of a full-time musician only after becoming a skilled photo engraver and cigar roller. Although he studied with clarinetist Lorenzo Tio, Jr., Bigard at first preferred the tenor saxophone and was determined to stick with the bigger horn until King Oliver bought him a clarinet and urged him to practice on it. Using the Albert system with its complex cross-fingerings, Barney Bigard developed his own unique approach to the instrument; his unmistakable tone is a direct outgrowth of the fundamental New Orleans clarinet tradition. Bassist Wellman Braud had a hand in introducing Barney Bigard to Duke Ellington; Bigard was one of Duke's cardinal players from 1927 to 1942. Living Era's survey of Bigard's early and middle years combines a pair of sides he cut with Jelly Roll Morton and Zutty Singleton in 1929 with some of the best recordings he made as a member of the Duke Ellington orchestra and a fine overview of his professional life during the '40s. Bigard is heard as nominal leader of two different Ellington small groups, as leader of his own Trio session for Bob Thiele's Signature label and of a Quintet date on Keynote, that wonderful early modern label run by producer Harry Lim. Bigard sat in with Zutty Singleton's Trio and Creole Band, with Benny Morton's All Stars, with Kid Ory's Creole Jazz band and then became an essential member of Louis Armstrong's All Stars. The effect of all this great music is overwhelmingly positive, entertaining and fulfilling; Barney Bigard was a master improviser who hung out, collaborated and recorded with some of the greatest jazz musicians of all time.
--- arwulf arwulf, All Music Guide
Barney Bigard
Active Decades: '20s, '30s, '40s, '50s, '60s and '70s
Born: Mar 03, 1906 in New Orleans, LA
Died: Jun 27, 1980 in Culver City, CA
Genre: Jazz
Styles: Classic Jazz, Dixieland, New Orleans Jazz, Swing
Barney Bigard was one of the most distinctive clarinetists in jazz and a longtime asset to Duke Ellington's orchestra. Although he took clarinet lessons with Lorenzo Tio, Bigard's initial reputation was made as a tenor saxophonist; in fact, based on a few of his recordings (particularly those with Luis Russell), Bigard was number two behind Coleman Hawkins in the mid-'20s. After working with several groups in New Orleans, Bigard moved to Chicago in 1924 where he played with King Oliver during 1925-1927. He would also record with Jelly Roll Morton, Johnny Dodds, and future boss Louis Armstrong in the 1920s but, after short stints with Charles Elgar and Luis Russell, Bigard found his true home with Duke Ellington's orchestra, with whom he almost exclusively played clarinet. Between 1927-1942, he was well featured on a countless number of recordings with Ellington, who understood Bigard's musical strengths and wrote to showcase him at his best. From "Mood Indigo" (which he co-composed) to "Harlem Air Shaft," Bigard was an important fixture of the Ellington orchestra.
When he quit the band in 1942 (due to tiring of the road), Bigard played with Freddie Slack's big band, Kid Ory's New Orleans group, and appeared in the 1946 film New Orleans. Bigard then joined the Louis Armstrong All-Stars, constantly traveling the world during 1947-1955 and 1960-1961; he spent 1958-1959 with Cozy Cole's band. Bigard became largely semi-retired after 1962, but still played now and then, recording with Art Hodes, Earl Hines, and as a leader. However, Barney Bigard, whose swing style was sometimes out-of-place with Armstrong, really sounded at his best during his Duke Ellington years.
---Scott Yanow, All Music Guide |
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