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4.401 Ft
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1. | I Have a Good One for You [Take 13]
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2. | Background Music [Take 24]
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3. | On Purpose [Take 16]
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4. | 317 E. 32nd [Take 22]
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5. | Lunarcy [Take 25]
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6. | Easy Living [Take 28]
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7. | Subconscious-Lee [Take 18]
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8. | On Purpose [Alternate Take 14]
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9. | A Time for Love [Take 8]
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10. | I Have a Good One for You [False Start Takes 2-3]
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11. | I Have a Good One for You [Alternate Take 4]
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12. | I Have a Good One for You [Alternate Take 5]
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13. | I Have a Good One for You [Alternate Take 6]
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14. | I Have a Good One for You [Alternate Take 9]
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Jazz
Warne Marsh - Sax (Tenor) Fred Atwood - Bass Jake Hanna - Drums Lou Levy - Piano, Piano (Electric)
* Chuck Nessa - Producer * Stu Black - Engineer * Terry Martin - Photography
Warne Marsh
Active Decades: '40s, '50s, '60s, '70s and '80s Born: Oct 26, 1927 in Los Angeles, CA Died: Dec 18, 1987 in Hollywood, CA Genre: Jazz Styles: Cool
Along with Lee Konitz, Warne Marsh was the most successful "pupil" of Lennie Tristano and, unlike Konitz, Marsh spent most of his career exploring chordal improvisation the Tristano way. The cool-toned tenor played with Hoagy Carmichael's Teenagers during 1944-1945 and then after the Army, he was with Buddy Rich (1948) before working with Lennie Tristano (1949-1952). His recordings with Tristano and Konitz still sound remarkable today with unisons that make the two horns sound like one. Marsh had occasional reunions with Konitz and Tristano through the years, spent periods outside of music, and stayed true to his musical goals. He moved to Los Angeles in 1966 and worked with Supersax during 1972-1977, also filling in time teaching. Marsh, who collapsed and died on stage at the legendary Donte's club in 1987 while playing "Out of Nowhere," is now considered legendary. He recorded as a leader for Xanadu, Imperial, Kapp, Mode (reissued on V.S.O.P.), Atlantic, Wave, Storyville, Revelation, Interplay, Criss Cross, and Hot Club. ---Scott Yanow, All Music Guide |
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