Jazz
Northwoods Improvisers
Ben Bracken - Design, Guest Appearance, Layout Design, Percussion, Tamboura
Kirk Lucas - Bowed Banjo, Cello, Tambourine
Mike Gilmore - Cheng, Percussion, Vibraphone
Mike Johnston - Bass, Cover Art, Design, Engineer, Layout Design, Percussion, Wood Flute
Nick Ashton - Drums, Percussion
* Leonard Bukowski - Liner Notes
* Mike Khoury - Executive Producer
The opener, "Lightning Darkness" is at times eerie and tense. Vibes and various percussion instruments steer the way into dark, mysterious places featuring rich yet varied tonal colors, which emit a sense of unsettlement or nervousness. "Rainbow" features a discernible backbeat and a quaint melody thanks to Mike Johnston's appealing utilization of the Bone Guitar. "Black Ice" is pure improv, highlighted by an assortment of percussion instruments, Cello and Mike Johnston's linear attack on Acoustic Bass which functions as the group's traffic cop. On Sun Ra's "God is More Than Love Could Ever Be" Mike Gilmore's fluid and adept vibes approach helps work this Sun Ra original into an ethereal and laid back jazz motif. This piece eventually develops into a full-fledged improvisation led by Nick Ashton's creative and purposeful drumming which adds a significant amount of drama to the composition. "Tariquah" is built around Eastern motifs featuring the Cheng, Bowed Banjo and Wood Flute.
--- Glenn Astarita
Clearly the most outerworldly and diverse Northwoods album released, Lightening Darkness is a journey into Middle Eastern music and free harmonic extractions. The title comes from a Sun Ra poem, and the album features more beautiful cover artwork from bassist Mike Johnston, who designed their previous two covers. The album also marks their first appearance on the Entropy Stereo label, out of Ann Arbor, MI. Northwoods waste no time in their exploration of Eastern atonalities, as the opening title track suggests. Abstract percussion and Johnston's skilled William Parker-like bowed bass create a sense of uneasy anticipation -- a soundscape of sorts. Suddenly a crashing gong from drummer Nick Ashton signals Mike Gilmore's vibes to quietly end the piece. Here one can hear the magic and effortlessness of the band's intimate communication. "Rainbow" features Gilmore on the cheng and sounds like a Ravi Shankar venture into abstract, progressive Krautrock. It is his shining moment on the instrument, illustrating his complex musical diversity. Gilmore also highlights the obscure Sun Ra piece "God Is More Than Love Could Ever Be," this time on the vibes. His relaxed textured overtones send a deep, heartfelt message to the listener's soul, as the rest of the group perfectly round out this near-flawless tribute to one of their obvious musical influences. Not to be outdone is Johnston, whose Middle-Eastern flute on "Tuareg" and "Tariquah" is spine-chilling, as it begs the question, "Where did these Midwesterners pick up such an intimate talent for these non-Western musical mysteries?" Both tunes feature guests Kirk Lucas (cello, tambourine, bowed banjo) and Ben Bracken (tamboura, percussion), who plays with Gilmore and Johnston in the experimental Remote Viewing Ensemble. "Tariquah" (meaning path or way) is Johnston's most intimate moment in the trio, as one gets the feeling he is taking listeners on a personal journey through his emotions and experiences. Bone guitar and tamboura peacefully fill in musical spaces as Ashton offers gentle percussive guidance. All members are present for "Black Ice," their most abstract recording and a piece that defies simple definition. This 14-minute excursion works well, exploring harmonic extremes with gentle ease. Lightening Darkness is a great musical addition to any jazz or music lover's collection indeed.
---Jason Hundey, All Music Guide |
