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Out of This World
Teddy Edwards Quartet, Teddy Edwards, Kenny Drew, Jesper Lundgaard, Billy Hart
első megjelenés éve: 1980
58 perc
(1989)

CD
6.266 Ft 

 

IMPORT!
Kosaramba teszem
1.  No Name, No. 1
2.  April Love
3.  Out of This World
4.  Summertime
5.  That's All
6.  Cheek to Cheek
7.  Summertime
Jazz / Hard Bop

Teddy Edwards - Sax (Tenor)
Teddy Edwards Quartet
Billy Hart - Drums
Freddy Hansson - Engineer
Jesper Lundgaard - Bass
Kenny Drew - Piano
Nils Winther - Photography, Producer, Digital Remixing
Per Grunnet - Design

A typically excellent set by the underrated tenor saxophonist Teddy Edwards (one of the top tenors to emerge during the mid-'40s), this quartet date with pianist Kenny Drew, bassist Jesper Lundgaard and drummer Billy Hart features the distinctive Edwards on two originals ("No Name No. 1" and "April Love") and four standards. The CD reissue adds a second version of "Summertime" to the original program. Teddy Edwards has yet to record an unworthy set and his swinging session (one of only two that he made as a leader during 1977-90) will be enjoyed by bop collectors. ~ Scott Yanow, All Music Guide



Teddy Edwards

Active Decades: '40s, '50s, '60s, '70s, '80s, '90s and '00s
Born: Apr 26, 1924 in Jackson, MS
Died: Apr 20, 2003 in Los Angeles, CA
Genre: Jazz
Styles: Bop, Hard Bop, West Coast Jazz

Teddy Edwards was, with Dexter Gordon and Wardell Gray, the top young tenor of the late '40s. Unlike the other two, he chose to remain in Los Angeles and has been underrated through the years but remained in prime form well into his 70s. Early on, he toured with Ernie Fields' Orchestra, moving to L.A. in 1945 to work with Roy Milton as an altoist. Edwards switched to tenor when he joined Howard McGhee's band and was featured in many jam sessions during the era, recording "The Duel" with Dexter Gordon in 1947. A natural-born leader, Edwards did work briefly with Max Roach & Clifford Brown (1954), Benny Carter (1955), and Benny Goodman (1964), and he recorded in the 1960s with Milt Jackson and Jimmy Smith. But it was his own records -- for Onyx (1947-1948), Pacific Jazz, Contemporary (1960-1962), Prestige, Xanadu, Muse, SteepleChase, Timeless, and Antilles -- that best displayed his playing and writing; "Sunset Eyes" is Edwards' best-known original.
---Scott Yanow, All Music Guide

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