Jazz / Bop, Cool, Standards, Traditional Pop, Vocal Jazz
Sarah Vaughan -Vocals
Bob Shad Producer
Bryan Koniarz Reissue Producer
Clifford Brown Performer, Trumpet
Ellen Fitton Reissue Mastering
Ernie Wilkins Conductor, Arranger
Herbie Mann Flute
Herman Leonard Reissue Photography
Hollis King Reissue Art Director
Jimmy Jones Piano
Joe Benjamin Bass
Ken Druker Executive Producer
Kiyoshi "Boxman" Koyama Research
Kiyoshi Tokiwa Research, Remixing
Mark Smith Reissue Production Assistance
Michael Bourne Liner Notes
Michael Ullman Liner Notes
Paul Quinichette Sax (Tenor)
Paul Ramey CD Preparation
Peter Keepnews Notes Editing
Richard Seidel CD Preparation
Robert Appleton Reissue Design
Roy Haynes Drums, Drums (Snare)
Sherniece Smith Art Coordinator
William Claxton Photography
This 1954 studio date, a self-titled album recorded for Emarcy, was later reissued as Sarah Vaughan with Clifford Brown to denote the involvement of one of the top trumpeters of the day. Vaughan sings nine intimate standards with a band including Brown on trumpet, Herbie Mann on flute, and Paul Quinichette on tenor, each of which have plenty of space for solos (most of the songs are close to the five-minute mark). Vaughan is arguably in the best voice of her career here, pausing and lingering over notes on the standards "April in Paris," "Jim," and "Lullaby of Birdland." As touching as Vaughan is, however, Brown almost equals her with his solos on "Lullaby of Birdland," "Jim," and "September Song," displaying his incredible bop virtuosity in a restrained setting without sacrificing either the simple feeling of his notes or the extraordinary flair of his choices. Quinichette's solos are magnificent as well, his feathery tone nearly a perfect match for Vaughan's voice. Ironically though, neither Brown nor Quinichette or Mann appear on the album's highlight, "Embraceable You," which Vaughan performs with close accompaniment from the rhythm section: Jimmy Jones on piano, Joe Benjamin on bass, and Roy Haynes on drums. Vaughan rounds the notes with a smile and even when she's steeping to reach a few low notes, she never loses the tremendous feeling conveyed by her voice. In whichever incarnation it's reissued, Sarah Vaughan With Clifford Brown is one of the most important jazz-meets-vocal sessions ever recorded. ~ John Bush, All Music Guide |
