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| The Sweetheat of Sigmund Freud - The Bird of an American Legend |
| Shorty Rogers |
angol
első megjelenés éve: 2006 |
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| (2006)
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2 x CD |
| 5.619 Ft
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| 1. CD tartalma: |
| 1. | Igor
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| 2. | Bop
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| 3. | Keen & Peachy
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| 4. | Lemon Drop
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| 5. | Keeper of the Flame
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| 6. | More Moon
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| 7. | The Great Lie
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| 8. | Tenderly
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| 9. | Lollipop
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| 10. | Jolly Rogers
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| 11. | Art Pepper
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| 12. | Viva Prado
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| 13. | Round Robin
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| 14. | Short Wave
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| 15. | Four Mothers
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| 16. | Didi
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| 17. | Sam & the Lady
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| 18. | Popo
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| 19. | Over the Rainbow
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| 20. | Apropos
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| 21. | What's New
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| 22. | Jive at Five
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| 23. | Swing Shift
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| 24. | Punkin'
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| 2. CD tartalma: |
| 1. | Powder Puff
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| 2. | The Pesky Serpent
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| 3. | Bunny
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| 4. | Pirouette
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| 5. | Morpo
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| 6. | Diablo's Dance
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| 7. | Mambo Del Crow
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| 8. | Indian Club
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| 9. | Coop De Graas
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| 10. | Infinity Promenade
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| 11. | Short Stop
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| 12. | Boar-jibu
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| 13. | Contours
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| 14. | Tale of an African Lobster
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| 15. | Chiquito Loco
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| 16. | Sweetheart of Sigmund Freud
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| 17. | Blues for Brando
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| 18. | Chino
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| 19. | The Wild One
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| 20. | Windswept
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Jazz / Cool, West Coast Jazz
Trumpeter Shorty Rogers was both a leading figure in the creation of West Coast Big Band modern jazz in the early '50s and also the innovative soundtracks for The Wild One (Marlon Brando) and The Man With The Golden Arm (Frank Sinatra). Featured throughout are such stars as Art Pepper, Shelly Manne, Stan Geyz, Zoot Sims, Conte Candoli, Jimmy Giuffre, Bud Shank, Maynard Ferguson, Bob Cooper, Hampton Hawes etc. The album has been compiled by the legendary Roy Carr so we expect great press for this album. Giant Step.
Shorty Rogers
Active Decades: '50s, '60s, '70s, '80s and '90s
Born: Apr 14, 1924 in Great Barrington, MA
Died: Nov 07, 1994 in Van Nuys, CA
Genre: Jazz
Styles: Big Band, Bop, Cool, Swing, Bossa Nova, West Coast Jazz, Afro-Cuban Jazz
A fine middle-register trumpeter whose style seemed to practically define "cool jazz," Shorty Rogers was actually more significant for his arranging, both in jazz and in the movie studios. After gaining early experience with Will Bradley and Red Norvo and serving in the military, Rogers rose to fame as a member of Woody Herman's First and Second Herds (1945-1946 and 1947-1949), and somehow he managed to bring some swing to the Stan Kenton Innovations Orchestra (1950-1951), clearly enjoying writing for the stratospheric flights of Maynard Ferguson. After that association ran its course, Rogers settled in Los Angeles where he led his Giants (which ranged from a quintet to a nonet and a big band) on a series of rewarding West Coast jazz-styled recordings and wrote for the studios, helping greatly to bring jazz into the movies; his scores for The Wild One and The Man With the Golden Arm are particularly memorable. After 1962, Rogers stuck almost exclusively to writing for television and films, but in 1982 he began a comeback in jazz. Rogers reorganized and headed the Lighthouse All-Stars and, although his own playing was not quite as strong as previously, he remained a welcome presence both in clubs and recordings.
---Scott Yanow, All Music Guide |
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