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| Britten: Gloriana [Daniel] [Opus Arte] [ ÉLŐ ] |
| Benjamin Britten (1913-1976) |
| Emer McGilloway (mezzoszoprán), Tom Randle (tenor), Eric Roberts (bariton), Clive Bayley (ének), David Ellis (ének), Josephine Barstow (szoprán), Susannah Glanville (ének), Chorus of Opera North (vegyeskórus), Phyllida Lloyd (rendező), English Northern Philharmonia (zenekar), Paul Daniel (karmester) |
első megjelenés éve: 2006
140 perc |
| Opera / Film |
| (2006)
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DVD video |
| 5.904 Ft
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| 1. | Gloriana
Josephine Barstow (szoprán), Emer McGilloway (mezzoszoprán), Tom Randle (tenor), Eric Roberts (bariton), Clive Bayley (ének), David Ellis (ének), Susannah Glanville (ének), Chorus of Opera North (vegyeskórus), Phyllida Lloyd (rendező), English Northern Philharmonia (zenekar), Paul Daniel (karmester)
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Opera
Phyllida Lloyd's acclaimed adaptation for film of the opera that Benjamin Britten wrote for the celebrations of the Queen's coronation in 1953, based on the Opera North revival of a work now recognised to be one of the composer's great achievements. Paul Daniel conducts the English Northern Sinfonia, with a cast inspired by electrifying performances from Josephine Barstow and Tom Randall as Elizabeth I and Essex.
Plus
* Cast Gallery
* Interviews with Phyllida Lloyd, Josephine Barstow, Tom Randle and Paul Daniel
Reviews
'...an unforgettable portrayal of Gloriana, imperious, fickle, dangerous, noble and in the great final scene when she reviews her life, devastatingly moving. This is a performance to class with Callas's Tosca in its total believability.' Sunday Telegraph
'Phyllida Lloyd's superb staging proves that Gloriana was never intended as a pièce d'occasion. Set in a high-walled jousting-yard, which fills with fabulous pageantry and empties into a prison cell, it emerges as a deeply felt drama of the struggle between public responsibility and private yearning, as well as a moving exploration of the loneliness of those, like Britten, called to a high and hard destiny.' Daily Telegraph
'The sheer beauty and vitality of this score must surely have made anyone coming to it for the first time wonder how it could ever have been regarded as one of Britten's lesser achievements. The pageantry is fresh and free of pastiche, the lyrical passages are ravishing... In his coronation opera Britten was true to himself: he composed not a pageant but an opera of profound and Verdian insight into the heart and soul of a human being set in authority.' Opera |
Díjak:
- Winner of the 2000 International Emmy Award for Best Performing Arts production
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[ NTSC ]